Jennifer Lawrence, for instance, has been dubbed the"mole-iest" not most beauty-marked sex symbol of all time by Slate because her pigmented spots happened to land not just on her face, but on her neck and chest as well. Mason and Mullen are artificially aged to play the old couple. The last flickers of virginal sweetness in Lockwoods persona were extinguished by her portrayals of Hesther and Barbara Worth in morally ambivalent films based on novels bywomen. The third actress daughter of the Raj - following Merle Oberon and Vivien Leigh - she was born on 15th September, 1916. An atmospheric ghost story based on the 1940 novel of the same title by Osbert Sitwell, it stars James Mason, Barbara Mullen, Margaret Lockwood, Dennis Price and Dulcie Gray. Then, in 1972, she married the actor Ernest Clark, best known as the irascible Geoffrey Loftus in Doctor in the House and its TV sequels, and her fellow star in the Ray Cooney farce The Mating Game (Apollo theatre, 1972). Much more popular than either of these was another melodrama with Arliss and Granger, Love Story (1944), where she played a terminally ill pianist. Margaret Lockwood was born (as Margaret Mary Lockwood Day) in Karachi, Pakistan on 15th September, 1916. Racked explained how women first started applying mouse fur yes, mouse fur to their pockmarks. Margaret Lockwood lived at 18a Highland Rd, London. 10-06-22 . her flawless complexion - enhanced by a beauty-spot! She was born on September 15, 1916. Actors: Margaret Lockwood, James Mason, Patricia Roc. It became her trade mark and the impudent ornament of her most outrageous film, The Wicked Lady, again opposite Mason, in which she played the ultimate in murderous husband-stealers, Lady Skelton, who amuses herself at night with highway robbery. In December of the following year, she appeared at the Scala Theatre in the pantomime The Babes in the Wood. Seven ingenue screen roles followed before she played opposite Maurice Chevalier in the 1936 remake of The Beloved Vagabond. A year later, she married a man of whom her mother disapproved strongly, so much so that for six months Margaret Lockwood did not live with her husband and was afraid to tell her mother that the marriage had taken place. Any moles or flaws are usually Photoshopped out to create the image of beauty." This was the inspiration for the three-season (39 episodes) Yorkshire Television series Justice, which aired from 1971 to 1974. The Wicked Lady: Directed by Leslie Arliss. This was her first opportunity to shine, and she gave an intelligent, convincing performance as the inquisitive girl who suspects a conspiracy when an elderly lady (May Whitty) seemingly disappears into thin air during a train journey. Listed on 2023-02-26. If so, please share it with your friends and family to help spread the word. These days, Rowland doesn't like to leave home without her trusty appliqud beauty mark. After what she regarded as her mothers painful betrayal at the custody hearing, the two women never met again, and when a friend complimented Mrs Lockwood on her daughters performance in The Wicked Lady, she snapped: That wasnt acting. Samuel Pepys, who originally prohibited his wife from wearing one, had a change of heart. The film had one of the top audiences for a film of its period, 18.4 million. And why do people love them or hate them? This started filming in November 1939. For this, British Lion put her under contract for 500 a year for the first year, going up to 750 a year for the second year.[3]. Her RADA-trained voice was posh, of course, but not supercilious. Lockwood had the biggest success of her career to-date with the title role in The Wicked Lady (1945), opposite Mason and Michael Rennie for director Arliss. Your email address will not be published. "[39], She returned to film-making after an 18-month absence to star in Highly Dangerous (1950), a comic thriller in the vein of Lady Vanishes written expressly for her by Eric Ambler and directed by Roy Ward Baker. She refused to return to Hollywood to make Forever Amber, and unwisely turned down the film of Terence Rattigans The Browning Version. Madeleine Marshtold BBC that it wasn't untilHollywood came to be that moles transformed from something to be abhorred to something to be admired. One of those famous faces was Marilyn Monroe. Had Lockwoods Darjeeling-born brunette rivalVivien Leigh, a voracious careerist, focused less on theatre which allowed her five 1940s films only, compared with Lockwoods 19 (and a TV Pygmalion) she would have likely eaten into Lockwoods CV. She was meant to appear in Hatter's Castle but fell pregnant and had to drop out. 2023 Getty Images. Even more popular was her next movie, The Lady Vanishes, directed by Alfred Hitchcock, produced by Black and co-starring Michael Redgrave. She was born on September 15, 1916. When I marry, I shall have a large family. [24] She was featured alongside Phyllis Calvert, James Mason and Stewart Granger for director Leslie Arliss. She complained to the head of her studio, J. Arthur Rank, that she was sick of sinning, but paradoxically, as her roles grew nicer, her popularity declined. Margaret Mary Day Lockwood, CBE (15 September 1916 15 July 1990), was an English actress. Her gentle beauty was heightened by different degrees of melancholy inBank Holiday(1938) andThe Lady Vanishes(1938), undimmed by her playing an indolent, pouting trollop inThe Stars Look Down(1939), and coarsened by the twisted thoughts of her Regency-era social climber Hesther in The Man in Grey (1943), her highwaywoman Barbara Worth inThe Wicked Lady(1945), her psychopathic title characterinBedelia(1946). Yet, even she considered having surgery to get rid of it. She was in a BBC adaptation of Christie's Spider's Web (1955), Janet Green's Murder Mistaken (1956), Dodie Smith's Call It a Day (1956) and Arnold Bennett's The Great Adventure (1958). Hes a boy with so many emotions. I try to give him something of an unearthly quality.. This article was most recently revised and updated by, https://www.britannica.com/biography/Margaret-Lockwood, Margaret Lockwood - Student Encyclopedia (Ages 11 and up). She began studying for the stage at an early age at the Italia Conti Academy of Theatre Arts, and made her debut in 1928, at the age of 12, at the Holborn Empire where she played a fairy in A Midsummer Night's Dream. Lockwood began training for the Italia Conti Academy of Theatre Arts at the age of twelve and made her stage debut in 1928 with the play A Midsummer Nights Dream. In an interview withRedbook, Ranella Hirsch, a dermatologist and senior medical advisor to Vichy Laboratoires, further warned,"New things on your skin tend to be bad." I think they're the cutest thing. Her most popular roles were as the spunky heroine of Alfred Hitchcocks mystery The Lady Vanishes (1938) and as the voluptuous highwaywoman in the costume drama The Wicked Lady (1945). The Leons separated soon after her birth and were divorced in 1950. She had the lead in Someday (1935), a quota quickie directed by Michael Powell and in Jury's Evidence (1936), directed by Ralph Ince. [5][6][7] This was at 4,000 a year.[8]. The couple had a daughter, Julia Lockwood. Margaret Lockwood moved to 2 Lunham Rd, London SE19 1AA in 1920. In 1920, she and her brother, Lyn, came to England with their mother to settle in the south London suburb of Upper Norwood, and Margaret enrolled as a pupil at Sydenham High School. A year later, she played another fairy, for 30 shillings a week, in Babes in the Wood at the Scala Theatre. Rank was to put her in an adaptation of Ann Veronica by H. G. Wells but the film was postponed. Margaret Lockwood was a famous British actress and the leading lady of the late 1940s. [43], Eventually her contract with Rank ended and she played Eliza Doolittle in George Bernard Shaw's Pygmalion at the Edinburgh Festival of 1951. That's right ladies, moles are beautiful. Lockwood called it "one of the films I have enjoyed most in all my career. Stage career She enjoyed a steady flow of work in films and on television but gained her greatest fulfilment in the theatre. [54] She lived her final years in seclusion in Kingston upon Thames, dying on 15 July 1990 at the Cromwell Hospital, Kensington, London, from cirrhosis of the liver, aged 73. She was nominated for the BAFTA Award for Best British Actress for the 1955 film Cast a Dark Shadow. In the 1930s, she appeared in a variety of stage plays and made her name. The turning point in her career came in 1943, when she was cast opposite James Mason in "The Man in Grey", as an amoral schemer who steals the husband of her best friend, played by Phyllis Calvert, and then ruthlessly murders her. ]died July 15, 1990, London, Eng. In 1965, she co-starred with her daughter, Julia, in a popular television series, "The Flying Swan", and surprised those who felt she had never been a very good actress by giving a superb comedy performance in the West End revival of Oscar Wilde's "An Ideal Husband". Instead, she calls it her"forever moving mole" and sometimes draws it on to cover a blemish. They did. A noblewoman begins to lead a dangerous double life in order to alleviate her boredom. Popular British leading lady of the late 1930s who became England's biggest female star of the WWII era. The sadomasochistic elements ofLeslie Arlisss film in which Lockwoods character is sexually commandeered and eventually raped by Masons lord were 50 shades stronger than 2015s most ballyhooed eroticdrama. Her likeable core personality made her characters, whether good or evil, easy for women to identify with. In the 1960s and 70s she appeared on British television, including a 1965 series The Flying Swan with her daughter Julia. she made her stage debut at 15 as a fairy in " A Midsummer Night's Dream" at the Holborn Empire. Lockwoods stage appearances included Peter Pan (194951, 195758), Spiders Web (195456), which Agatha Christie wrote for her, and Signpost to Murder (196263). Each time I play him, I discover hidden things I never thought of before, she enthused. She was known for her stunning looks, artistry and versatility. was margaret lockwood's beauty spot real; was margaret lockwood's beauty spot real. Barbara insouciantly dons the costume and pistols of a villainous male archetype associated with sexual conquests: the assumption of a highwaymans costume connotes both womens assumption of dangerous jobs formerly done by men and their liberation as sexually independent beings, both products of the war. Lockwood was well established as a middle-tier name. Margaret Mary Day Lockwood, CBE (15 September 1916 - 15 July 1990), was an English actress. She returned to the role a year later before achieving her dream of starring at the Scala as Peter Pan herself four times (1959, 1960, 1963 and 1966). As you now know, the 18th century was thetime for magnificent moles. What a time to have been alive. From the books you read to the clothes you wear, there are plenty of ways to make a political statement. You canbe born with one, or you can develop one at a later point in your life. Kate Upton and Blake Lively have certainly helped the spot stay en vogue today. Back at Gainsborough, producer Edward Black had planned to pair Lockwood and Redgrave much the same way William Powell and Myrna Loy had been teamed up in the "Thin Man" films in America, but the war intervened and the two were only to appear together in the Carol Reed-directed The Stars Look Down (1940). "Because the term 'beauty marks' has an aesthetic connotation, we generally tend to call moles on the face beauty marks, while the same exact mole elsewhere on the body is just called a mole," Schultz clarified. She also performed in a pantomime of Cinderella for the Royal Film performance with Jean Simmons; Lockwood called this "the jolliest show in which I have ever taken part. She returned with relief to Britain to star in two of Carol Reed's best films, "The Stars Look Down", again with Redgrave, and "Night Train to Munich", opposite Rex Harrison. You can play him as a fey creature or right down to earth. "[31] She later said "I was having fun being a rebel."[32]. Please like & follow for more interesting content. One of Britain's most popular film stars of the 1930s and 1940s, her film appearances included The Lady Vanishes (1938), Night Train to Munich (1940), The Man in Grey (1943), and The Wicked Lady (1945). She had one last film role, as the stepmother with the sobriquet, wicked, omitted but implied, in Bryan Forbess Cinderella musical The Slipper and the Rose in 1976. [21] Her return to acting was Alibi (1942), a thriller which she called "anything but a success a bad film. She also starred in the television series Justice (197174). As both parents were rarely around at that point, Julia spent the war years with her grandmother and a nanny. Her body was cremated at Putney Vale Crematorium. When she was eight Julia fell in love with Peter Pan on seeing her mother play the role in what had already established itself as an annual postwar institution at the Scala theatre in London. Miss Lockwood's family would not disclose the . A good thing about fake moles is that there's zero risk of one turning into skin cancer. Trained on the stage, Lockwood made her film debut in 1935 and distinguished herself as the ingenue lead of Hitchcock's delightful suspenser "The Lady Vanishes" (1938) and as the vain wife of Michael Redgrave in Carol Reed's fine mining-town drama "The Stars Look Down" (1939). Production Company: Gainsborough Pictures. [17][18], Lockwood returned to Britain in June 1939. Showing Editorial results for margaret lockwood. Spectral in black, with her dark, dramatic looks, cold but beautiful eyes, and vividly overpainted thin lips, Lockwood was queen among villainesses. Though, we doubt they'd be the only ones perplexed by the idea. She taught at her old drama school in the early 1990s and, after the death of her husband in 1994, retired to Spain. In spite of this, she was warmly remembered by the public. Cindy Crawford, for example, is notorious for her iconic "blemish." Yet, even she considered having surgery to get . (1937), again for Carol Reed and was in Melody and Romance (1937). The turning point in her career came in 1943, when she was cast opposite James Mason in The Man in Grey, as an amoral schemer who steals the husband of her best friend, played by Phyllis Calvert, and then ruthlessly murders her. She was survived by her daughter, the actress Julia Lockwood (ne Margaret Julia Leon, 19412019). "Hollywood revolutionised women's faces," Marsh explained, "Suddenly you were seeing these HUGE women's faces, bigger than we had ever seen them before." She is commemorated with a blue plaque at her childhood home, 14 Highland Road in Upper Norwood. It also helps other women with beauty marks to have an ally with which to identify. The Leons separated soon after her birth and were divorced in 1950. [42] She turned down the female lead in The Browning Version, and a proposed sequel to The Wicked Lady, The Wicked Lady's Daughter, was never made. "It was the cutest stinking mole, and I was sold," she admitted. The American supermodel isn't the only one with an iconic beauty mark. Julia Lockwood (Margaret Julia Leon), actor, born 23 August 1941; died 24 March 2019, Screen and stage actor who was a regular in West End productions in the 1960s, Philip French's screen legends: Margaret Lockwood, Original reporting and incisive analysis, direct from the Guardian every morning. Instead, she played the role of Jenny Sunley, the self-centred, frivolous wife of Michael Redgrave's character in The Stars Look Down for Carol Reed. Margaret Lockwood, in full Margaret Mary Lockwood, (born Sept. 15, 1916, Karachi, India [now Pak. This last blow, coupled with the sudden death of her trusted agent, Herbert de Leon, and the onset of a viral ear infection, vestibulitis, caused her to turn her back gradually on a glittering career. Lockwood wanted to play the part of Clarissa, but producer Edward Black cast her as the villainous Hesther. In 1941, she gave birth to a daughter by Leon, Julia Lockwood, affectionately known to her mother as Toots, who was also to become a successful actress. Spectral in black, with her dark, dramatic looks, cold but beautiful eyes, and vividly overpainted thin lips, Lockwood was a queen among villainesses. It's all Marilyn Monroe's fault," singer Kelly Rowland told People. But what better way to hide one of those "disfiguring scars" than with a cleverly placed beauty mark? Grow your brand authentically by sharing brand content with the internets creators. As a result, Margaret took refuge in a world of make believe and dreamed of becoming a great star of musical comedy. Various polls of exhibitors consistently listed Lockwood among the most popular stars of her era: On this Wikipedia the language links are at the top of the page across from the article title. [28] It was the last of "official" Gainsborough melodramas the studio had come under the control of J. Arthur Rank who disliked the genre. It was one of a series of films made by Gaumont aimed at the US market. For Rowland, it all began with putting a dot of black Duo lash glue on her face. After becoming a dance pupil at the Italia Conti school. Lockwood studied at the Royal Academy of Dramatic Art, England's leading drama school, and made her film debut in Lorna Doone (1935). A rather controversial biographer once . For the remaining years of her life, she was a complete recluse at her home, in Kingston upon Thames, rejecting all invitations and offers of work. Rex Harrison was the male star. In 1955, she gave one of her best performances, as a blowsy ex-barmaid in "Cast a Dark Shadow", opposite Dirk Bogarde, but her box office appeal had waned and the British cinema suddenly lost interest in her. But, just what is a beauty mark anyway? The Truth About Beauty Marks. ), British actress noted for her versatility and craftsmanship, who became Britains most popular leading lady in the late 1940s. "[22], In September 1943 Variety estimated her salary at being US$24,000 per picture (equivalent to $305,000 in 2021).[23]. Long live the mouches! [33] She also appeared in an acclaimed TV production of Pygmalion (1948). Lockwood never remarried, declaring: I would never stick my head into that noose again, but she lived for many years with the actor, John Stone, whom she met when they appeared together in the 1959 stage comedy, And Suddenly Its Spring. Here you'll find all collections you've created before. Margaret Lockwood. Karachi-born Margaret Lockwood, daughter of a British colonial railway Her childhood was repressed and unhappy, largely due to the character of her mother, a dominant and possessive woman who was often cruelly discouraging to their shy, sensitive daughter. Organize, control, distribute and measure all of your digital content. In 1965, she co-starred with her daughter, Julia, in a popular television series, The Flying Swan, and surprised those who felt she had never been a very good actress by giving a superb comedy performance in the West End revival of Oscar Wildes An Ideal Husband. Was a committed teetotaller all her life and detested the taste of An unpretentious woman, who disliked the trappings of stardom and dealt brusquely with adulation, she accepted this change in her fortunes with unconcern, and turned to the stage, where she had successes in Peter Pan, Pygmalion, Private Lives and Agatha Christies thriller, Spiders Web, which ran for over a year. Seven ingenue screen roles followed before she played opposite Maurice Chevalier in the 1936 remake of "The Beloved Vagabond". "[50], As her popularity waned in the post war years, she returned to occasional performances on the West End stage and appeared on television; her television debut was in 1948 when she played Eliza Doolittle.[51]. Lockwood gained custody of her daughter, but not before Mrs Lockwood had sided with her son-in-law to allege that Margaret was "an unfit mother.". Lockwood had a change of pace with the comedy Cardboard Cavalier (1949), with Lockwood playing Nell Gwyn opposite Sid Field. Format: Originally recorded on 2 sound cassettes.Reformatted in 2010 as 3 digital wav files. Seventy years ago, the British film industrys comparatively modest version of the Hollywood studio system meant that the national cinema had not, like MGM alone, more stars than there are in heaven, but enough to make up a small glittering constellation. Even though British Parliament wanted to put an end to the faux mole craze, some members eventually came around. Lockwoods lips and upper chin tense Joan Crawford-style when her more heinous characters covers are blown, but not at the cost of audience empathy. In 1938, Lockwood's role as a young London nurse in Carol Reed's film, "Bank Holiday", established her as a star, and the enormous success of her next film, "The Lady Vanishes", opposite Michael Redgrave, gave her international status. As such, the shape, color, and even texture can vary. "I like moles. Italia Conti Drama School. Her beauty is breathtaking; indeed, the viewer can recall that when Caroline (Patricia Roc) Introduced her to . When Barbara smothers the godly old servant (Felix Aylmer) whos lingering on after drinking her poison, she was speaking for all mid-40s women who were impatient to dispense with patriarchalcant. A year later she married Rupert Leon, a man of whom her mother disapproved strongly, so much so that for six months Margaret Lockwood did not live with her husband and was afraid to tell her mother that the marriage had taken place.

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